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Eric Harland (on scrap metal) & Avishai Cohen (trumpet) Jammin’ Outside the Newport Jazz Festival

This is a great field recording of one of my favorite drummers gettin down on scrap metal in some ruins outside the Newport Jazz Festival (thanks NPR!).

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Dry the River, A Field Recording at SXSW

Discovered this band/video via NPR and was an instant fan. Yes, the lead singer’s voice is quite stylized which may turn you off, but you can’t beat the beauty in this song and presentation. Great band, great video.

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Illuminated Lubricant

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Fragments of Iceland (gorgeous video, great music)

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Mama’s Day Playlist

Some of my favorites (and a few that just had the right title/theme) that I’ll be playing for the Mama’s in my life today. Maybe there’s something in here for you too?

 

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Friday

Chunky Chocolate on the radio

Door’s open, come in.

Stolen couch, well, not stolen, re-appropriated

sit.

 

Week’s done, what’s going on?

Oh man, Funk oozes

Hungry.

Grab a tray, grab a bowl, pile it on.

Where’s that at, what time?

Her smile laughs, he sits down

Next to him and her and him

share.

 

Let’s roll; see you there.

We breathe in the night and exhale youthful adventures

Window’s down, volume’s up.

I think I saw you there

You laughed at me.

Take some

Leave some

together.

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Today

Woke up in the mornin’ not ready at all
Doesn’t really matter ’cause it’s not your call
Three little mouths to feed, ready to play
“Wake up Papa, what’re we doin’ today?”

Got 9 scoops in, brewin’ away
Got a million songs, but nothin’ to say
Even with the music on it’s all up hill
Just keep on cookin’, got those stomachs to fill

Papa’s in the yard blowin’, metal to mouth
Water’s drippin’ from a leaky spout
Kids are paintin’, baby’s in the pool
Papa’s wound tight on an empty spool

Breakfast’s done but now Mama’s gotta go
Baby’s cryin’ and tears start to flow
Papa says, “Baby she’ll be back”
Round and round, same old track

But the sun shines down it’s a beautiful day
Papa takes a breath and begins to play
Paint coats the paper, table, and skin
The water’s cool and clear, and baby jumps in

Papa’s in the yard blowin’, metal to mouth
Water’s drippin’ from a leaky spout
Kids are paintin’, baby’s in the pool
Papa’s wound tight on an empty spool

Time to lift that weight, gotta stay strong
Children are happy, gettin’ along
Sweat and struggle, muscle and steel
Laugh and cry, and shoulder that wheel

So that was today, tomorrow will follow
Wasn’t ready now it’s over, sometimes hard to swallow
Tryin’ to let go of mistakes and blame
Over and over, different and the same

Papa’s in the yard blowin’, metal to mouth
Water’s drippin’ from a leaky spout
Kids are paintin’, baby’s in the pool
Papa’s wound tight on an empty spool

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Mouthpiece

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Practice

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Your Lips Move, But I Can’t Hear What You’re Sayin’

It’s amazing what we don’t hear simply because we’re not ready to hear it. It sounds simple, but over and over I’m blown away by this. When I was in college, majoring in music, my sophomore year I was supposed to take this intensive course called the Music 30 series. It was a three part course that spanned the full year, and it was where you learned the bulk of your ear-training and theory skills. There was lots of listening, lots of singing, and lots of piano playing.

The first quarter was Music 30A and it was challenging, but I made it through without really having to put out my full effort. Music 30B was a whole other ballgame. It probably didn’t help that I had a super tough-ass Russian professor, who of course had perfect pitch. Our class was first thing in the morning, and he would sit right down at the piano, bang out a chord, then start calling on people in the class, rapid fire, to sing an interval or identify a pitch from the key, practically yelling “Too slow!” if you didn’t come up with it within a beat. It was nerve-wracking for everyone, but some people handled it better than others, and what I began to notice was that most people seemed to have an easier time than myself finding pitches and singing them back. I really set to work that quarter thinking that I could overcome my deficit simply by putting forth my full effort.

One part of the final that quarter consisted of singing pitches in the chords of a Bach chorale, or organ/keyboard piece, without the help of a piano. I failed miserably and my professor, who I thought was a total asshole at the time, failed me. I would have to repeat the Music 30 series the next year and just barely be able to graduate in four years. It really threw me and I began to question if music was really the thing I wanted to study. I was so upset. I had never failed anything in my life and I began to doubt I would do any better the next time around. But the following year, I did do better. Everything came easier to me and at first I attributed it to hard work and it being the second time around, but then I began to just have this feeling that I was somehow different. Something had clicked in me that allowed me to hear all the things I wasn’t hearing the year before, and I was almost able to work less hard.

In our senior exit exam, my fourth year, a third of the grade was aural dictation and the first test we took was transcribing a Bach chorale that was played on the piano. I dreaded that test all quarter while we were preparing for it, but when it came to the test day and the professor began to play, the empty staff just filled itself. I heard all four parts separately and together, and in my mind, I could see the music. I got a perfect score. Actually, it was better than perfect because I got an extra point for notating an implied harmony which almost no one actually hears. I didn’t know that’s what I was doing; I just wrote down what I heard.

That experience has followed me through the rest of my life and because of it, I am a firm believer that sometimes we simply aren’t ready to hear things, no matter how clear, how simple, how logical, or how important they are. It can be frustrating when we give out advice to a friend and they ignore it, only to take it from someone else years down the road and we get no credit for it. On the flip side, I imagine it’s very frustrating for others to watch us struggle with something they hear and understand so clearly. I guess we just have to be patient with ourselves and with each other, and trust that we’ll get there when we’re ready. We don’t all arrive at the same time and it’s not something that can be willed, or learned, or forced. I’ve tried that. You have to grow into it. The key for me ten years ago is the same today: I keep at it, keep listening, and when I’m ready, what I hear is amazing.